Abstract

This article delves into the intricate portrayal of the academically underexplored discourse on the misogyny paradox and masculinity crisis in Leena Yadav’s film Parched. Positioned at the intersection of Indie cinema and the discourse on gender dynamics, the film serves as a compelling case study for exploring the complexities of contemporary masculinity. The article examines Parched as an Indie film, highlighting its departure from mainstream conventions and its commitment to exploring marginalized narratives with artistic integrity. Drawing on Jane Ward’s concept of the misogyny paradox, this article endeavors to analyze how the film visually and aurally constructs representations of masculinity and its crises within the context of the twenty-first century. Through a thorough analysis of narrative techniques, character dynamics, and visual representations, this article unveils the ways in which the film, within an Indie landscape, subverts conventional expectations and sheds light on the neglected perspective of male characters within the context of feminist and masculinity discourse.