Abstract
This project illustrates the power of using the participatory, arts-based methodology of photovoice to capture the lived experiences of LGBTQ+ refugees and asylum seekers living in Athens, Greece. Photovoice methodology entails giving cameras to marginalized groups to photo-document their experiences. I present various ethical tensions and dilemmas that I encountered when implementing photovoice methodology with fourteen LGBTQ+ refugees and asylum seekers living in Athens, Greece. In partnership with a grassroots collective known for its advocacy for and with LGBTQ+ refugees, photovoice was used to explore the themes of identity, belonging, physical and mental health challenges of displacement, and hopes for a future without borders. The purpose of this paper is to use an anti-oppressive theoretical framework to unpack the complex layers of power dynamics, positionality and privilege, relational interactions, and ownership of the data throughout the research process. Specifically, I discuss these concepts through the following stages: building trust within the community, capturing visual narratives with the help of interpreters, sharing the artwork with the broader community, negotiating the politics of representation, navigating ownership of the data, and maintaining relationships beyond the project. As I critically reflect on the research process and product, I conclude with lessons learned and advocate re-envisioning arts-based research to include an anti-oppressive approach.
Presenters
Moshoula Capous DesyllasProfessor, Sociology, California State University Northridge, California, United States
